關於 / ABOUT

《香港三部曲》名稱取自作家施叔青同名文學作品,借文中的主角,代表年華老去的香港。

這三部曲由三個不同媒介串連,水彩、版畫和油畫,以紀念逝去的香港。

 

《建築生物》

我以香港舊區建築物的碎片和記憶,去重現建築物的空間與關係, 觀看着不同建築物,記憶成了重疊錯落的殘影,現實與想像的交錯幻化出不同的境地,卻又交織出混亂有序,結構緊緻精密的「新」空間 我特別選 鋼筆來繪畫出表演者和舞台,把建築物的碎片組合,形成新的個體/合成物的線條細緻地描繪建築物的痕跡就像消失了的記憶一樣,與 彩描繪的新建築物形成鮮明對比 引領觀眾以另一種形式來觀察被遺忘的城市面貌,重組失落的記憶 。

《白色的痕跡》

 

以香港的城市變化為主題,用香港的建築為元素。

照片是香港城市新的建築物,版畫是舊的建築物,我把兩個畫面放在一起,製造新舊對比效果.

弄版畫的過程時需要弄走材料,這過程是在表達香港的舊建築物雖然消失了,但是痕跡仍會留在新的空間上。

就像香港的發展一樣,被拆走的建築物也留下了痕跡。

《封存》

 

透過強烈的空間感和透視,只抽取建築物的某部份在畫面上出現,製造出建築物與空間的關係,突出建築物原有的色調與痕跡,虛幻的空間與實在的建築物產生對比,讓觀眾在這脫離現實的新空間去重新審視自己的城市,突出城市的空洞與疏離,最後仍是慢慢地消失於空氣之中。

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"Hong Kong Trilogy” – this title is the same title of one of the book from writer Shi Shuqing, to reflect the “no longer young” Hong Kong, just as same as the protagonist in Shi’s book. The trilogy is made up of three different media - Watercolors, Relief Printings and Oil Paintings to commemorate the passing of Hong Kong.

 

"Living Building"

By how I remember of old buildings in Hong Kong, piece by piece as thousands of fragments to reproduce a spatial structures and the relationships in between old buildings in Hong Kong.  The overlapping memories are blurred and scattered when looking at different buildings.  Reality and imagination staggered out different situation, but intertwined chaos and orderly.  I specially used fountain pen to draw out the stage and the perfo0rmers; the broken combination of the building; the formation of every line, to reconstruct a “new” space.  I meticulously line out the buildings details and contrasting with water color, to let the viewers to see the lost city and elaborate their memories.

"Trace in White"

By using Hong Kong buildings  as element and the urban changes as the theme.  The photo shows Hong Kong’s new buildings; the engraving shows the old building.  When putting them together, it creates old and new contrast effect.

During the engraving process, I have to cut away some materials which express some buildings in Hong Kong disappeared one by one.  However, traces of these buildings will remains in the new space. Just as same as the demolished buildings will leave traces somewhere in Hong Kong.

"Sealed"

Through a strong sense of space and perspective, only extract a part of the building on the screen, to create the relationship in between the building and space. To highlight the original color and the traces of the building, the contrast of the illusory space and the real building, let audience to re-examine the city in this unreal new space, to highlight the city's emptiness and alienated, and finally, slowly disappearing in the air.

© 2019 by Kennylsp.